(Potten, tiden og døden – Tre værker handler om jord på kunstfestivalen i Reykjavik.)

Rúrí & Gunnlaugur M. Einarsson: Future Cartography. Así Art

Museum. Til 1. Juli

Politiken Kultur  26. may 2012, Denmark

Anna Jóa, Regnbogi og adrar mælistikur, Morgunbladid, Iceland

2. May 2012

Kremena Nikolova-Fontaine, Rúri, With Respect for Other People and Nature, Iceland Review, april 2012

Einar Falur, Listin þarf að vekja fólk til umhugsunar, Morgunbladid 4 mars

Gunnar J. Árnason, “Time” in Rúrí (monograph) Hatje Cantz, Ostfildern, 2011, pp. 28-57.

Dorothea van der Koelen, “Relativity” in Rúrí (monograph) Hatje Cantz, Ostfildern, 2011, pp. 58-93.

Laufey Helgadóttir, “Cosmos” in Rúrí (monograph) Hatje Cantz, Ostfildern, 2011, pp. 94-131.

Halldór Björn Runólfsson, “Enviroment” in Rúrí (monograph) Hatje Cantz, Ostfildern, 2011, pp. 132-157

Christian Schoen, “On the Voices of Water and Aqua Silenced,” in Osram Seven Screens,

exh. cat. Hatje Cantz, Ostfildern, 2011, pp. 101–111.

Gunnar J. Árnason, “Frá endurtekningu til undantekningar/From Repetition to Exception,”
in Á mótum myndlistar/Perspectives—On the Borders of Art and Philosophy, exh. cat.
Reykjavík Art Museum. Ibid., 2011.

“Rúrí,” in Höhenrausch.2— Bridges in the Sky,
exh. cat. OK Offenes Kulturhaus, Linz. Wien/
Bozen, 2011, pp. 88–91.

Laufey Helgadóttir, “Icelanders at the Venice Biennale,” in 50 Years of Icelandic Art at the Venice Biennale, exh. cat.

Reykjavík Art Museum—Kjarvalsstaðir. Reykjavík, 2011, pp. 20–21, 33–35.

Heiða Björk Árnadóttir, “The Venice Biennale:
Art and National Image,” in 50 Years of Icelandic Art at the Venice Biennale, exh.
cat. Reykjavík Art Museum—Kjarvalsstaðir,
Reykjavík, 2011, pp. 48, 52, 56, 118–121, 138.

Guðbergur Bergsson, “Ásýnd landsins:
Vatnið, jörðin hafið og himininn, Landnám í eigin heimi gegnum annan heim,” in Visage of the Land: Water, Earth, Sea And Sky, exh. cat.
Gerðarsafn—Art Museum, Kópavogur. Ibid,
2011, pp. 20–21.

a conversation between Jonatan Habib Engqvist and Rúrí,” in The Nordic 3rd World Country? Icelandic Art in Times of Crisis, Färgfabrikken Norr, Östersund,
October 2010, p. 44–47.

Ragna Sigurðardóttir, “Hljóðlátt innlegg í baráttuna,” Fréttablaðið, September 16, 2010,
p. 28.

Roxi Thoren, “The Deep Grain of Inquiry:
Landscape and Identity in Icelandic Art,” in:
Journal of Landscape Architecture, 1/2010,
pp. 38–51.

Laufey Helgadóttir, “L’Eau en tant que symbole—Rúrí,” Art Nord—La revue de l’actualité artistique et balte, 2010,
pp. 34–39, 120.

Lorezo Vinciguerra, “Manifestations culturelles.
Rethink Kakotopia a Nikolaj, Center d’art
contemorain, de Copenhagen,” in Artnord,
Institut national d’histoire de l’art (INHA),
Paris 2010, pp. 109.

Sinne Lundgaard Rasmussen, ”Glaskunst in
Ijsland,“ in Fjoezzz, 2, 2010, pp. 53–57.

“Rúrí Opens Art Project in Munich: Silence, a silent sequence,” in List Icelandic Art News, 23/2009. Accessed August 6, 2011,

http://www.artnews.is/artnews

_article.php?no=23

_07&is=23.

Einar Falur Ingólfsson, “Ögrandi og formræn
áskorun,” in Morgunblaðið, May 20, 2009. pp. 34.

Lorella Scacco, “Video Experimentation in
Nordic Countries from 1960s to 1980s,” in
Northwave: A Survey of Video Art in Nordic
Countries. Silvana editoriale. Milan, 2009,
pp. 15–55 (esp. pp. 43–44).

Christian Schoen, “Rúrí,” in Icelandic Art
Today (Ostfildern 2009), pp. 258–263.
Antoanetta Ivanova, “Impact by Degrees,” in
Frame —Framework, the Finnish art review,
2009, pp. 33–35.

Laura Fanti, “Rúrí,” in Espoarte 57.
Contemporary Art Magazine, Rome 2009,
pp. 47–53.

Christian Schoen, “Interview 2008,” in Rúrí—
Endangered Waters, exh. cat. BOZAR Palais
des Beaux-Arts. Reykjavík 2008, pp. 9–10.
Beate Köhne, “In Teufels Küche,” in Sonntag
Aktuell, June 29, 2008, p. 22.

Ben Davis, “Fire and Ice,” in Artnet Magazine, 2008. Accessed August 6, 2011,

http://www.artnet.com

/magazineus/reviews/davis

/davis5-23-08.asp.

Birgit Sonna, “Der Entfesselte Fluss: Die
Video-Sound-Installation ‘Changing Waters‘
der isländischen Künstlerin Rúrí in der
Lukaskirche,“ Süddeutche Zeitung. Nr. 248,
October 24, 2008, pp. 46.

Christian Schoen, “Ruri: Time, Relativity and
Cosmos”, LIST Icelandic Art News, 2008,

pp. 20–21.

Jean-Noël Schifano, “Rúrí,” Creator Vesevo,
Éditions Gallimard Loisirs, France 2008, pp.
66–73 and 116–117.
Kristine Kern, “Kunst og natur kan hjælpe
Island gennem krisen,” in Politiken, Kultur
October 19, 2008. pp. 6.

“Die Wucht des Wassers zieht gut 1000
Menschen in ihren Bann,” in Frankfurter Neue
Presse, July 2, 2007. Accessed August 6,
2011 http://www.rhein-main.net/sixcms/æist.
php?page=fnp2_news

_article&id=3825581.

Iris Rodriguez, ”Im Wasser reich. Island badet
im Wasser—als ginge es niemals zur Neige,“
Frankfurter Allgemeine Sonntagszeitung
Germany, March 25, 2007.
Jón B.K. Ransu, “Ómælanlegar þverstæður:
um list Rúríar,” in Lesbók Morgunblaðsins,
February 10, 2007, p. 15.

Shauna Laurel Jones, “Ruri’s Concern for
Nature and Memory.” LIST Icelandic Art News,
2007, p. 25.

Sigridur Thorgeirsdottir, “Nature’s Otherness
and the Limits of Visual Representations of
Nature,” in Art Ethics and Environment —A
Free Enquiry Into the Vulgarly Received Notion
of Nature, edited by Ólafur Páll Jónsson and
Æsa Sigurjónsdóttir, Cambridge 2007,
pp. 112–124.

Guðjón Jensson, “Gjörningurinn við
Drekkingarhyl,” in Morgunblaðið, September
28, 2006, p. 30.

Harpa Þórsdóttir, “Earth Consciousness,”
in Mega vott, exh. cat. Hafnarborg—The
Hafnarfjörður Center for Culture and Fine Art.
Reykjavík, 2006, pp. 36–43, 52–55.

Suzy Menkes,

“Images captured under a Nordic star,”

International Herald Tribune,
Paris, November 16, 2006. Accessed August 6, 2011,

http://www.nytimes.com/2006

/11/16/arts/16iht-photo.html.

Mythos und Naturgewalt Wasser. Edited by
Georg Prinz von Hohenzollern and Christiane
Lange. Exh. cat. Kunsthalle der Hypo-
Kulturstiftung, Munich (ibid., 2005), p. 179.

Ásrún Kristjánsdóttir

“Vatn í útrýmingarhættu /
Water in danger of extinction,” AVS—Arkitektúr
verktækni og skipulag, (Iceland, 2004).
pp. 52–56.

Bérénice Bailly, “Rúrí—Lyrisme écolo en terre
d’Islande,” (BAM) Beaux Arts 244, (September
2004), p. 32.

Juliet Steyn, “A Chance Encounter: The
Subject of Museum Practices,” Third Text.
Critical Perspectives on Contemporary Art &
Culture, vol.18/no. 4, 2004, pp. 305–316.
Laufey Helgadóttir, “Rúrí,” in Le Colette no. 5,
2004, p. 66–68.

Richard Leydier, “Un autre monde découverte
de l’art contemporain islandais,” in Art Press
304, 2004, pp. 28–33.

Rolf Dörnbach, “Islandische Kunstler und ihr Werk im Spiegel der Philatelie. Moderne
Freilichtplastiken und ihre Schöpfer,” in
Philatelistische Nachrichten no. 128, 2004,
pp. 661–662.

“Rúrí in Colette meets Comme des Garçons,”
in The Sankei Shimbun, 9/26, 2004.

Benjamin Genocchio, “Stars shine at Venice Biennale,” The Australian, June 17, 2003. Accessed August 15, 2003

http://www.theaustralian

.news.com.au/printpage

/0,5942,6608966,00.html.

Chiara Longari, “Rúrí—Archivo acque minacciate,” Biennale 2003. Padiglione Islanda, in Exibart, June 13, 2003. Accessed August 6, 2011, http://www.exibart.com

/notizia.asp?IDCategoria

=214&IDNotizia=7577.

Edward Weinman, “The Rainbow Woman,” in
Iceland Review, vol.41, 2003, pp. 48–51.

Elisabeth Rath “Offen für Diskussionsstoff“, in Salzburger Nachrichten, basis-wien, June 17 2003. Accessed May 25, 2005, http://www.basis-wien.at

/avdt/htm/136/00058760.htm.

Friða Björk Ingvarsdóttir, “Draumar og árekstrar
í Feneyjum,” in Lesbók Morgunblaðsins,
February 1, 2003, pp. 8–9.

Friða Björk Ingvarsdóttir, “Kraftur sem ekki
mælist í vöttum,” in Lesbók Morgunblaðsins,
June 14, 2003, pp. 4–5.

Halldór Björn Runólfsson, “Vatnahljómkviða,”
in Morgunblaðið, September 18, 2003, p. 28.

Janet Bellotto, “Exploring Dreams and Conflicts”, Tandem, June 29, 2003. Accessed August 6, 2011, http://www.tandemnews.com

/viewstory.php?storyid

=2880.

Jean-Marie Wynants, “Ars—La Biennale de
Venise a ouvert ses portes aux professionnels
L’indéfinissable marathon de l’art actuel,” Le
Soir, Bruxelles, June 14, 2003, p. 38.

Laufey Helgadóttir, “Archive – Endangered
Waters” Dreams and Conflicts the
Dictatorship of the viewer. Francesco Bonami
and Maria Luisa Frisa (ed.), Venice Biennale,
Italy, 2003 pp. 546–547.

Laufey Helgadóttir, “Of Time and Water,” exh.
cat. Archive—Endangered Waters, Icelandic
Pavilion. 50th International Art Exhibition—La
Biennale di Venezia (Reykjavík, 2003), pp. 2–5.

Michel Onfray, “Paradoxical Machine,” exh.
cat. Archive—Endangered Waters, Icelandic
Pavilion. 50th International Art Exhibition—La
Biennale di Venezia (Reykjavík, 2003), pp.
10–16.

Laura Cumming, “But where is the art?,” in
Guardian (The Observer), June 22, 2003.
Accessed August 6, 2011, http://www.guardian.co.uk

/theobserver/2003/jun/22/1.

Michael Hübl, “Island: Rúrí,” in Kunstforum
International, Bd. 166 (2003), p. 240.

Michel Onfray, Archéologie du présent—
Manifeste pour une esthétique cynique, Publ:
Grasset/Adam Biro France, France, 2003,
pp. 74, 98–100.

Paolo Vagheggi, “Tutti i mori che stanno a venezia,” in La Repubblica, June 13, 2003, p. 48.

Grethe Grathwol, “Rúrí,” in Rúrí, A Series of
Contemporary European Artists. Publ: The
Chinese European Art Center of Xiamen
University Art College (ibid., 2003), p. 5.

Rachel Campbell-Johnston, “Biennale? Don’t
you mean Banal?,” The Times, March 2003,
p. 14–15.

Barbara Zürcher, Ruri, Island: Skulpturen der
Witterung, Du Supplement, 50. Biennale di
Venezia, no. 735 April 2003. p. 24.

Sue Williamson, “The Venice Biennale Part
1: The pavilions of the Giardini,” ArtThrob:
Contemporary art in South Africa, Issue no.
71, July 2003, South Africa. Accessed August 6, 2011, http://www.artthrob.co.za

/03july/websites.html.