1991-1996

1996 Environnemental 15–17, Le Répertoire Illustré de l’Art Environnemental, ISELP—Institut Superieur Pour L’Etude du, Language Plastique, Gita Brys-Schatan (ed)., Bruxelles, 1996, p. 168–169.   Thorolfur Jonsson, “Bruchtstellen in der Erdkruste,” Garten + Landschaft: Zeitschrift für Landschaftsarchitectur, 9/1996, p. 50–51.   1995 Gunnar Árnason, “Time and Order,” Experimental Environment—Kuopion Tienoo, Finland. Finland, 1995, p. 29–30.   […]

1996

Environnemental 15–17, Le Répertoire Illustré
de l’Art Environnemental, ISELP—Institut
Superieur Pour L’Etude du, Language
Plastique, Gita Brys-Schatan (ed)., Bruxelles,
1996, p. 168–169.

 

Thorolfur Jonsson, “Bruchtstellen in der
Erdkruste,” Garten + Landschaft: Zeitschrift
für Landschaftsarchitectur, 9/1996, p. 50–51.

 

1995

Gunnar Árnason, “Time and Order,”
Experimental Environment—Kuopion Tienoo,
Finland. Finland, 1995, p. 29–30.

 

Kaija Hannula, “Monologues, Dialogues,
Signification,” Experimental Environment—
Kuopion Tienoo, Finland, Finland ,1995,
p. 12–14.

 

Gunnar J. Árnason, “New Perspectives,” in
Iceland Review 2/1995, pp. 35–38

 

1994
“Ruri in Kuvataideakademia Galleria,” in Taide 1/1994.

1993
“Time Concrete,” in Taide 4/1993, pp. 1.

 

Zeit-Sichten. Künstlerinnen aus Reykjavík.
Exh. cat. Frauen-Museum, Bonn (ibid., 1993),
pp. 11–12.

 

1992
Halldór B. Runólfsson, “Thoughts. On the
art of Rúrí, Hannu Siren and William Louis
Soerensen,” exh. cat. Hugsanir—Ajatuksia—
Tanker/Thoughts, The Nordic Arts Center,
Helsinki (ibid.,1992), p. 3.

 

Wif Stenger, “Reconstructing the Future,” in Form-Function 3/1992,
p. 42–43.