2003

Arianna Di Genova, “Rúrí—quelle cascate in lenta dissolvenza,” 50/A Biennale, Padiglione Islanda – Il Manifesto (Alias) 6:29, Italy, July 19, 2003. pp. 1–4.   Benjamin Genocchio, “Stars shine at Venice Biennale,” The Australian, June 17, 2003. Accessed August 15, 2003 http://www.theaustralian .news.com.au/printpage /0,5942,6608966,00.html.   Chiara Longari, “Rúrí—Archivo acque minacciate,” Biennale 2003. Padiglione Islanda, in Exibart, June 13, 2003. Accessed August […]

Arianna Di Genova, “Rúrí—quelle cascate in
lenta dissolvenza,” 50/A Biennale, Padiglione
Islanda – Il Manifesto (Alias) 6:29, Italy, July 19,
2003. pp. 1–4.

 

Benjamin Genocchio, “Stars shine at Venice Biennale,” The Australian, June 17, 2003. Accessed August 15, 2003
http://www.theaustralian

.news.com.au/printpage

/0,5942,6608966,00.html.

 

Chiara Longari, “Rúrí—Archivo acque minacciate,” Biennale 2003. Padiglione Islanda, in Exibart, June 13, 2003. Accessed August 6, 2011, http://www.exibart.com

/notizia.asp?IDCategoria

=214&IDNotizia=7577.

 

Edward Weinman, “The Rainbow Woman,” in
Iceland Review, vol.41, 2003, pp. 48–51.

 

Elisabeth Rath “Offen für Diskussionsstoff“, in Salzburger Nachrichten, basis-wien, June 17 2003. Accessed May 25, 2005, http://www.basis-wien.at

/avdt/htm/136/00058760.htm.

 

Friða Björk Ingvarsdóttir, “Draumar og árekstrar
í Feneyjum,” in Lesbók Morgunblaðsins,
February 1, 2003, pp. 8–9.

 

Friða Björk Ingvarsdóttir, “Kraftur sem ekki
mælist í vöttum,” in Lesbók Morgunblaðsins,
June 14, 2003, pp. 4–5.

 

Halldór Björn Runólfsson, “Vatnahljómkviða,”
in Morgunblaðið, September 18, 2003, p. 28.

 

Janet Bellotto, “Exploring Dreams and Conflicts”, Tandem, June 29, 2003. Accessed August 6, 2011, http://www.tandemnews.com

/viewstory.php?storyid

=2880.

 

Jean-Marie Wynants, “Ars—La Biennale de
Venise a ouvert ses portes aux professionnels
L’indéfinissable marathon de l’art actuel,” Le
Soir, Bruxelles, June 14, 2003, p. 38.

 

Laufey Helgadóttir, “Archive – Endangered
Waters” Dreams and Conflicts the
Dictatorship of the viewer. Francesco Bonami
and Maria Luisa Frisa (ed.), Venice Biennale,
Italy, 2003 pp. 546–547.

 

Laufey Helgadóttir, “Of Time and Water,” exh.
cat. Archive—Endangered Waters, Icelandic
Pavilion. 50th International Art Exhibition—La
Biennale di Venezia (Reykjavík, 2003), pp. 2–5.

 

Michel Onfray, “Paradoxical Machine,” exh.
cat. Archive—Endangered Waters, Icelandic
Pavilion. 50th International Art Exhibition—La
Biennale di Venezia (Reykjavík, 2003), pp.
10–16.

 

Laura Cumming, “But where is the art?,” in
Guardian (The Observer), June 22, 2003.
Accessed August 6, 2011, http://www.guardian.co.uk

/theobserver/2003/jun/22/1.

 

Michael Hübl, “Island: Rúrí,” in Kunstforum
International, Bd. 166 (2003), p. 240.

 

Michel Onfray, Archéologie du présent—
Manifeste pour une esthétique cynique, Publ:
Grasset/Adam Biro France, France, 2003,
pp. 74, 98–100.

 

Paolo Vagheggi, “Tutti i mori che stanno a venezia,” in La Repubblica, June 13, 2003, p. 48.

 

Grethe Grathwol, “Rúrí,” in Rúrí, A Series of
Contemporary European Artists. Publ: The
Chinese European Art Center of Xiamen
University Art College (ibid., 2003), p. 5.

 

Rachel Campbell-Johnston, “Biennale? Don’t
you mean Banal?,” The Times, March 2003,
p. 14–15.

 

Barbara Zürcher, Ruri, Island: Skulpturen der
Witterung, Du Supplement, 50. Biennale di
Venezia, no. 735 April 2003. p. 24.

 

Sue Williamson, “The Venice Biennale Part
1: The pavilions of the Giardini,” ArtThrob:
Contemporary art in South Africa, Issue no.
71, July 2003, South Africa. Accessed August 6, 2011, http://www.artthrob.co.za

/03july/websites.html.