Greinar / umfjöllun | Rúrí

  • 2021

    Peter Weibel, Negative Space. Trajectories of Sculpture, The MIT Press (væntanleg 5. október 2021)

     

    Jean Robertson – Craig McDaniel, Themes of Contemporary Art: Visual Art After 1980, 5th edition, Oxford University Press

     

    Vala Schriefer, Rúrí’s Rainbow I: The Burning of Being, Journal of Art Criticism, Barnard College in New York

  • 2020

    Francesca DuBrock, Blue Gold – Rúrí, Extra Tough: Women of the North, Chatter Marks, Anchorage Museum

     

    Jean-Marie Gallais, Marie- Charlotte Calafat, Folklore, Centre Pompidou-Metz – MUCEM – La Découverte

     

    David Carrier, History Painting and its Changing Subjects, History and Theory 59 (no 3), Wesleyan University

  • 2019

    Mark A. Cheetham, “Earth Death Pictures” as Contemporary History Painting, What Was History Painting And What Is It Now?, McGill-Queen’s University Press

     

    Lorella Scacco, Early ‘Female’ Video Experiments in Nordic Countries in the 1970s and 1980s, EWVA | European Women’s Video Art in the 70s and 80s, John Libbey Publishing

     

    En Vægs Offentlighed, grein eftir Rúrí birt í bókinni Offentlighedens rum, Kaupmannahöfn

     

    Viðtal birt í bókinni Isle of Art, Brussel

  • 2018

    Laufey Helgadóttir,

    Icelandic multimedia visual artist, AWARE, Paris, awarewomenartists.com

    /en/artiste/ruri/

     

    Mark A. Cheetham,  Landscape into Eco Art: Articulations of Nature since the ‘60s,  The Pennsilvania State University Press, Philadelphia, ISBN: 978-0-271-08003-1

     

    Pari Stave, Listaverkin, Hverfing | Shapeshifting, Akademía skynjunarinnar, Reykjavík, ISBN 978-9935-24-278-5,  bls. 44-47

  • 2017

    Anna Toptchi,  Contemporary Icelandic Prints in Other Hats,  Artzine.is

     

    Guðbergur Bergsson, Rúrí og tilverulistin, Stína, vol 2 2017,  Mostrarskegg – bókaútgáfa,  bls.  12 – 17

     

    Guðrún Pálína Guðmunds- dóttir, Jafnvægi – Úr jafnvægi Rúríar í Ketilhús- inu á Akureyri, Artzine.is

  • 2016

    Patrik Marty, Faire entendre l’eau, L’eau géopolitique,  L’eau de l’art contemporain/Une dynamique d’une esthétique écosophique,

    L’Harmattan, Paris 2016, ISBN 978 2 343 09629 2

     

    Jonatan Habib Engqvist, Future Cartographies, Rúrí – Fragile Systems, Nordatlantens Brygge, Kaupmannahöfn 2016, ISBN 978-87-93411-03-6

     

    Christian Schoen, Balance, Rúrí – Fragile Systems, Nordatlantens Brygge, Kaupmannahöfn 2016, ISBN 978-87-93411-03-6

     

    Laufey Helgadóttir, Tíma – Tal / Time – Telling, Listasafn Árnesinga, Hveragerði 2016, ISBN 978-9935-9246-4-3

  • 2015

    Conversation with Rúrí, María Fernanda Barrero, LARMAGAZINE.021, Mexico, www

  • 2014

    Andrew Brown, Rúrí, Art & Ecology Now,

    Thames & Hudson

    London, May 2014, ISBN 978 0 500239162

  • 2013

    Laufey Helgadóttir, Rúrí, Le Dictionnaire Universel des Créatrices, Éditions des Femmes, France

     

    Nordic Now! Sérútgáfa um norræna nútíma ljósmyndun, útgefendur norrænu útgáfufyrirtækin:

    Objektiv, Photo Raw, og  Filter

     

    Catrin Lundqvist, Social Videoscapes From the North, catalogue, Pro Artibus – Gallery Elverket, Finland

     

    Lorella Scacco, Social Videoscapes From the North, catalogue, Pro Artibus – Gallery Elverket, Finland

     

    Rúrí – Sjónþing 3. febrúar 2007, Menningarmiðstöðin Gerðuberg

     

    Riitta Kuusikko, Pathway / Polku, catalogue, Rovaniemi Art Museum, Finland

  • 2012

    Torben Sangild, Konstruktiv Kunst i Krisetider

    (Potten, tiden og døden – Tre værker handler om jord på kunstfestivalen i Reykjavik.)

    Rúrí & Gunnlaugur M. Einarsson: Future Cartography. Así Art

    Museum. Til 1. Juli

    Politiken Kultur  26. may 2012, Denmark

     

    Archive – Endangered Waters (2003),
    Laufey Helgadóttir
    Bridges over Troubled Waters,
    Crosstalks, 2012 VUBPRESS Brussels University Press

     

    Anna Jóa, Regnbogi og adrar mælistikur, Morgunbladid, Iceland

  • 2011

    Archive – Endangered Waters (2003),

    Laufey Helgadóttir
    Bridges over Troubled Waters,
    Crosstalks, 2012 VUBPRESS Brussels University Press

     

    Anna Jóa, Regnbogi og adrar mælistikur, Morgunbladid, Iceland

  • 2010

    Jonatan Habib Engqvist, “From Golden Cars to Waterfalls…:

    a conversation between Jonatan Habib Engqvist and Rúrí,” in The Nordic 3rd World Country? Icelandic Art in Times of Crisis, Färgfabrikken Norr, Östersund,
    October 2010, p. 44–47.

     

    Ragna Sigurðardóttir, “Hljóðlátt innlegg í baráttuna,” Fréttablaðið, September 16, 2010,
    p. 28.

     

    Roxi Thoren, “The Deep Grain of Inquiry:
    Landscape and Identity in Icelandic Art,” in:
    Journal of Landscape Architecture, 1/2010,
    pp. 38–51.

  • 2009

    2009
    Michael Hübl, “Island: Ragnar Kjartansson—
    The End,” in Kunstforum International,
    Bd. 198 (2009), pp. 330–333.

     

    Guðbergur Bergsson, “Viðtal við Rúrí”,
    in Stína tímarit um bókmenntir og listir,
    2009,pp. 14–23.

     

    “Rúrí Opens Art Project in Munich: Silence, a silent sequence,” in List Icelandic Art News, 23/2009. Accessed August 6, 2011,
    http://www.artnews.is/artnews_
    article.php?no=23_07&is=23.

     

    Einar Falur Ingólfsson, “Ögrandi og formræn
    áskorun,” in Morgunblaðið, May 20, 2009. pp. 34.

     

    Lorella Scacco, “Video Experimentation in
    Nordic Countries from 1960s to 1980s,” in
    Northwave: A Survey of Video Art in Nordic
    Countries. Silvana editoriale. Milan, 2009,
    pp. 15–55 (esp. pp. 43–44).

     

    Christian Schoen, “Rúrí,” in Icelandic Art
    Today (Ostfildern 2009), pp. 258–263.

     

    Antoanetta Ivanova, “Impact by Degrees,” in
    Frame —Framework, the Finnish art review,
    2009, pp. 33–35.

     

    Laura Fanti, “Rúrí,” in Espoarte 57.
    Contemporary Art Magazine, Rome 2009,
    pp. 47–53.

  • 2008

    Andréa Holzherr, “Silence of the Waterfall
    2007,” in Rúrí—Endangered Waters, exh. cat.
    BOZAR Palais des Beaux-Arts. Reykjavík
    2008, p. 15.

     

    Christian Schoen, “Interview 2008,” in Rúrí—
    Endangered Waters, exh. cat. BOZAR Palais
    des Beaux-Arts. Reykjavík 2008, pp. 9–10.

     

    Beate Köhne, “In Teufels Küche,” in Sonntag
    Aktuell, June 29, 2008, p. 22.

     

    Ben Davis, “Fire and Ice,” in Artnet Magazine, 2008. Accessed August 6, 2011,

    http://www.artnet.com

    /magazineus/reviews/davis

    /davis5-23-08.asp.

     

    Birgit Sonna, “Der Entfesselte Fluss: Die
    Video-Sound-Installation ‘Changing Waters‘
    der isländischen Künstlerin Rúrí in der
    Lukaskirche,“ Süddeutche Zeitung. Nr. 248,
    October 24, 2008, pp. 46.

     

    Christian Schoen, “Ruri: Time, Relativity and
    Cosmos”, LIST Icelandic Art News, 2008,

    pp. 20–21.

     

    Jean-Noël Schifano, “Rúrí,” Creator Vesevo,
    Éditions Gallimard Loisirs, France 2008, pp.
    66–73 and 116–117.

     

    Kristine Kern, “Kunst og natur kan hjælpe
    Island gennem krisen,” in Politiken, Kultur
    October 19, 2008. pp. 6.

  • 2007

    Christian Schoen, “Icelanders at the Biennale,”
    in LIST Icelandic Art News (2007), pp. 18–23.

     

    “Die Wucht des Wassers zieht gut 1000
    Menschen in ihren Bann,” in Frankfurter Neue
    Presse, July 2, 2007. Accessed August 6,
    2011 http://www.rhein-main.net/sixcms/æist.
    php?page=fnp2_news

    _article&id=3825581.

     

    Iris Rodriguez, ”Im Wasser reich. Island badet
    im Wasser—als ginge es niemals zur Neige,“
    Frankfurter Allgemeine Sonntagszeitung
    Germany, March 25, 2007.

     

    Jón B.K. Ransu, “Ómælanlegar þverstæður:
    um list Rúríar,” in Lesbók Morgunblaðsins,
    February 10, 2007, p. 15.

     

    Shauna Laurel Jones, “Ruri’s Concern for
    Nature and Memory.” LIST Icelandic Art News,
    2007, p. 25.

     

    Sigridur Thorgeirsdottir, “Nature’s Otherness
    and the Limits of Visual Representations of
    Nature,” in Art Ethics and Environment —A
    Free Enquiry Into the Vulgarly Received Notion
    of Nature, edited by Ólafur Páll Jónsson and
    Æsa Sigurjónsdóttir, Cambridge 2007,
    pp. 112–124.

  • 2006

    Andréa Holzherr, Entretiens: Avec les artistes
    de l’Exposition centrale, in Foto Nordik, edited
    by Andréa Holzherr and Ásdis Ólafsdóttir.
    Paris, 2006, pp. 20–21, 82–84, 92–93.

     

    Guðjón Jensson, “Gjörningurinn við
    Drekkingarhyl,” in Morgunblaðið, September
    28, 2006, p. 30.

     

    Harpa Þórsdóttir, “Earth Consciousness,”
    in Mega vott, exh. cat. Hafnarborg—The
    Hafnarfjörður Center for Culture and Fine Art.
    Reykjavík, 2006, pp. 36–43, 52–55.

     

    Suzy Menkes,

    “Images captured under a Nordic star,”

    International Herald Tribune,
    Paris, November 16, 2006. Accessed August 6, 2011,

    http://www.nytimes.com/2006

    /11/16/arts/16iht-photo.html.

  • 2005

    Genoveva Rückert, “Die Ordnung der Natur,”
    in Austria, May 3, 2005, pp. 70–73.

     

    Mythos und Naturgewalt Wasser. Edited by
    Georg Prinz von Hohenzollern and Christiane
    Lange. Exh. cat. Kunsthalle der Hypo-
    Kulturstiftung, Munich (ibid., 2005), p. 179.

  • 2004

    Annick Rivoire, “Une installation au Passage
    du Désir de l’artiste islandais: Rúrí met les
    cascades en boîte,” in Libération, 7275,
    October 1, 2004. p. 34.

     

    Ásrún Kristjánsdóttir

    “Vatn í útrýmingarhættu /
    Water in danger of extinction,” AVS—Arkitektúr
    verktækni og skipulag, (Iceland, 2004).
    pp. 52–56.

     

    Bérénice Bailly, “Rúrí—Lyrisme écolo en terre
    d’Islande,” (BAM) Beaux Arts 244, (September
    2004), p. 32.

     

    Juliet Steyn, “A Chance Encounter: The
    Subject of Museum Practices,” Third Text.
    Critical Perspectives on Contemporary Art &
    Culture, vol.18/no. 4, 2004, pp. 305–316.

     

    Laufey Helgadóttir, “Rúrí,” in Le Colette no. 5,
    2004, p. 66–68.

     

    Richard Leydier, “Un autre monde découverte
    de l’art contemporain islandais,” in Art Press
    304, 2004, pp. 28–33.

     

    Rolf Dörnbach, “Islandische Kunstler und ihr Werk im Spiegel der Philatelie. Moderne
    Freilichtplastiken und ihre Schöpfer,” in
    Philatelistische Nachrichten no. 128, 2004,
    pp. 661–662.

     

    “Rúrí in Colette meets Comme des Garçons,”
    in The Sankei Shimbun, 9/26, 2004.

  • 2003

    Arianna Di Genova, “Rúrí—quelle cascate in
    lenta dissolvenza,” 50/A Biennale, Padiglione
    Islanda – Il Manifesto (Alias) 6:29, Italy, July 19,
    2003. pp. 1–4.

     

    Benjamin Genocchio, “Stars shine at Venice Biennale,” The Australian, June 17, 2003. Accessed August 15, 2003
    http://www.theaustralian

    .news.com.au/printpage

    /0,5942,6608966,00.html.

     

    Chiara Longari, “Rúrí—Archivo acque minacciate,” Biennale 2003. Padiglione Islanda, in Exibart, June 13, 2003. Accessed August 6, 2011, http://www.exibart.com

    /notizia.asp?IDCategoria

    =214&IDNotizia=7577.

     

    Edward Weinman, “The Rainbow Woman,” in
    Iceland Review, vol.41, 2003, pp. 48–51.

     

    Elisabeth Rath “Offen für Diskussionsstoff“, in Salzburger Nachrichten, basis-wien, June 17 2003. Accessed May 25, 2005, http://www.basis-wien.at

    /avdt/htm/136/00058760.htm.

     

    Friða Björk Ingvarsdóttir, “Draumar og árekstrar
    í Feneyjum,” in Lesbók Morgunblaðsins,
    February 1, 2003, pp. 8–9.

     

    Friða Björk Ingvarsdóttir, “Kraftur sem ekki
    mælist í vöttum,” in Lesbók Morgunblaðsins,
    June 14, 2003, pp. 4–5.

     

    Halldór Björn Runólfsson, “Vatnahljómkviða,”
    in Morgunblaðið, September 18, 2003, p. 28.

     

    Janet Bellotto, “Exploring Dreams and Conflicts”, Tandem, June 29, 2003. Accessed August 6, 2011, http://www.tandemnews.com

    /viewstory.php?storyid

    =2880.

     

    Jean-Marie Wynants, “Ars—La Biennale de
    Venise a ouvert ses portes aux professionnels
    L’indéfinissable marathon de l’art actuel,” Le
    Soir, Bruxelles, June 14, 2003, p. 38.

     

    Laufey Helgadóttir, “Archive – Endangered
    Waters” Dreams and Conflicts the
    Dictatorship of the viewer. Francesco Bonami
    and Maria Luisa Frisa (ed.), Venice Biennale,
    Italy, 2003 pp. 546–547.

     

    Laufey Helgadóttir, “Of Time and Water,” exh.
    cat. Archive—Endangered Waters, Icelandic
    Pavilion. 50th International Art Exhibition—La
    Biennale di Venezia (Reykjavík, 2003), pp. 2–5.

     

    Michel Onfray, “Paradoxical Machine,” exh.
    cat. Archive—Endangered Waters, Icelandic
    Pavilion. 50th International Art Exhibition—La
    Biennale di Venezia (Reykjavík, 2003), pp.
    10–16.

     

    Laura Cumming, “But where is the art?,” in
    Guardian (The Observer), June 22, 2003.
    Accessed August 6, 2011, http://www.guardian.co.uk

    /theobserver/2003/jun/22/1.

     

    Michael Hübl, “Island: Rúrí,” in Kunstforum
    International, Bd. 166 (2003), p. 240.

     

    Michel Onfray, Archéologie du présent—
    Manifeste pour une esthétique cynique, Publ:
    Grasset/Adam Biro France, France, 2003,
    pp. 74, 98–100.

     

    Paolo Vagheggi, “Tutti i mori che stanno a venezia,” in La Repubblica, June 13, 2003, p. 48.

     

    Grethe Grathwol, “Rúrí,” in Rúrí, A Series of
    Contemporary European Artists. Publ: The
    Chinese European Art Center of Xiamen
    University Art College (ibid., 2003), p. 5.

     

    Rachel Campbell-Johnston, “Biennale? Don’t
    you mean Banal?,” The Times, March 2003,
    p. 14–15.

     

    Barbara Zürcher, Ruri, Island: Skulpturen der
    Witterung, Du Supplement, 50. Biennale di
    Venezia, no. 735 April 2003. p. 24.

     

    Sue Williamson, “The Venice Biennale Part
    1: The pavilions of the Giardini,” ArtThrob:
    Contemporary art in South Africa, Issue no.
    71, July 2003, South Africa. Accessed August 6, 2011, http://www.artthrob.co.za

    /03july/websites.html.

  • 2001

    Jón Proppé, “Listamaður mánaðarins” in Læknablaðið, 2/2001, pp. 1, 101.

  • 1991-1996

    1996

    Environnemental 15–17, Le Répertoire Illustré
    de l’Art Environnemental, ISELP—Institut
    Superieur Pour L’Etude du, Language
    Plastique, Gita Brys-Schatan (ed)., Bruxelles,
    1996, p. 168–169.

     

    Thorolfur Jonsson, “Bruchtstellen in der
    Erdkruste,” Garten + Landschaft: Zeitschrift
    für Landschaftsarchitectur, 9/1996, p. 50–51.

     

    1995

    Gunnar Árnason, “Time and Order,”
    Experimental Environment—Kuopion Tienoo,
    Finland. Finland, 1995, p. 29–30.

     

    Kaija Hannula, “Monologues, Dialogues,
    Signification,” Experimental Environment—
    Kuopion Tienoo, Finland, Finland ,1995,
    p. 12–14.

     

    Gunnar J. Árnason, “New Perspectives,” in
    Iceland Review 2/1995, pp. 35–38

     

    1994
    “Ruri in Kuvataideakademia Galleria,” in Taide 1/1994.

     

    1993
    “Time Concrete,” in Taide 4/1993, pp. 1.

     

    Zeit-Sichten. Künstlerinnen aus Reykjavík.
    Exh. cat. Frauen-Museum, Bonn (ibid., 1993),
    pp. 11–12.

     

    1992
    Halldór B. Runólfsson, “Thoughts. On the
    art of Rúrí, Hannu Siren and William Louis
    Soerensen,” exh. cat. Hugsanir—Ajatuksia—
    Tanker/Thoughts, The Nordic Arts Center,
    Helsinki (ibid.,1992), p. 3.

     

    Wif Stenger, “Reconstructing the Future,” in Form-Function 3/1992,
    p. 42–43.

     

  • 1974-1990

    1990

    Marika Wachtmeister, “Kvinnorna i Centrum,”
    Femina no. 7/1990, pp. 70–73.

     

    1989

    Gunnar B. Kvaran, “Höggmyndir – umhverfislist,” in Arkitektúr og skipulag 4/10 (Reykja- vik, 1989), pp. 46–47.

     

    Corning Glass Review 8–selection, “Time”,
    Neues Glas/Verre Nouveau no. 2/87,
    Düsseldorf, 1989, p. 141.

     

    1987

    Gunnar B. Kvaran, “Time and Culture,” in Tími/
    Time, Rúrí (Reykjavik, 1987), p. 3.

     

    1986

    Adalsteinn Ingolfsson, “Glass Art in a Northern

    Light,” in Neues Glas/Verre Nouveau no.
    3/1986, pp. 194–196.

     

    “Concrete and Time Concrete,” in Nordisk
    Betong 6/1986, p. 13.

     

    Silja Rantanen: “Rúrí,” in Concrete, exh. cat.
    Helsingin Juhlaviikot. Ibid, 1986, pp. 46–49.

     

    1985

    “Big Scale 85,” in Paletten 3/1985, p. 16–17.

     

    Grethe Grathwol, “Experimental Environment,” NIKE No. 10, Munich, Germany, 1985, pp. 20–21.

     

    1978

    Svart a hvítu, Gallerí Suðurgata 7, Reykjavik,
    2/2, 1978, p. 49.